page 1: #48, # 50, # 54 
page 2: #52 , #58 LOS ANGELES-III
list of paintings on pages 1-2
From monochromatic
and angular my neo-constructivist paintings were turning towards
vivid post-impressionist palette. Lines started to define not
only angular shapes.
page 1: #48, # 50, # 54 page 2: #52 , #58